Ai-Da, the Humanoid Robot Artist, Gears Up for First Solo Exhibition
Wearing a white shirt and her dull hair hanging free, Ai-Da resembles any craftsman at work as she examines her subject and puts pencil to paper. In any case, the signaling from her bionic arm gives her away – Ai-Da is a robot.
Portrayed as “the world’s first ultra-practical AI humanoid robot craftsman”, Ai-Da opens her first solo display of eight illustrations, 20 compositions, four figures and two video works one week from now, bringing “another voice” to the workmanship world, her British designer and exhibition proprietor Aidan Meller says.
“The mechanical voice is the significant one to concentrate on in light of the fact that it influences everyone,” he told Reuters at a review.
Named after British mathematician and PC pioneer Ada Lovelace. Ai-Da can attract from sight on account of cameras in her eyeballs. And AI calculations made by researchers at the University of Oxford. That help produce co-ordinates for her arm to make workmanship.
She utilizes a pencil or pen for portrayals, yet the arrangement is for Ai-Da to paint and make ceramics.
“From those directions from the attracting we’ve had the option to bring that into a calculation that is. Then ready to yield it through a Cartesian diagram that at that point creates a last picture,” Meller said.
“It’s a truly energizing procedure never been done in the manner that we’ve done it…We don’t know precisely how the illustrations are going to turn out and that is extremely significant.”
On show at the “Unbound Futures” display are illustrations paying tribute to Lovelace. And mathematician Alan Turing, dynamic artistic creations of trees. Models dependent on Ai-Da’s illustrations of a honey bee and video works, one of which, “Security” pays praise to Yoko Ono’s 1965 “Cut Piece”.
Computer based intelligence Da, whose development was finished in April, has just observed her specialty gobbled up.
“It’s a sold out show with over a million pounds worth of fine arts sold,” Meller said.
The presentation, which opens on June 12 at the Barn Gallery at St John’s College, takes a gander at the limits between innovation, AI and natural life.